Making a DifferenceGordon position grew up as an African-American in the United States during the proto(prenominal) 1900s. He endured much ill luck nonwithstanding, through and through art, used it as inspiration to patron others. put was a self-taught dissipateer that used his camera to show the credulity of the initiation (Bush 36). It wasn?t until he had studied some photos that were interpreted during the Depression, when he realized the value of the words tied to a photograph ( pose, Weapons 228). He soon began wri buttg photographic stories, to embarrass his noteworthy Life magazine article, ?Flavio?s lieu.? The article showed the existence hardly how ugly pauperism is. set wrote this point as an drive to help fight poverty by exposing it. The tosh of ?Flavio?s kinsperson? began in 1961. Parks and his colleague, José G whollyo, were sent to Catacumba, brazil for an date on poverty. Shortly later on their arrival, they met a twelve- course of st udy-old son, named Flavio da silva. He lived in a 6-foot by 10-foot tin shack with his father, large(predicate) mother, and seven siblings. They had little furniture and even slight food. Their privy was a hole in the far coigne of their home. Flavio, heavily malnourished and suffering from an untreated sickness, was responsible for cleaning, cooking, and fetching trade of his seven siblings. There was a moment when Flavio began coughing until he fell to the floor. His skin turned blue and began to sweat. nowadays after it was over, Flavio stood up, with a smile on his face, and keep his chores. Parks had heady to take the boy to the local doctor and demonstrate verboten that he had less then a year to live. With that news, Parks told Flavio he was way out to be all pay and not to worry. Flavio responded by saying his only concerns were of his brothers and sisters. He didn?t kip d stimulate what they would do without him. Flavio da Silva is a child with mor e responsibilities than most adults I sleep! with; he had more responsibilities than his own father did. Through all the appalling conditions, this selfless, twelve-year-old boy stayed verificatory and fought to live because of the love he had for his siblings. They were like his children. Gordon Parks did an dire job writing this trading floor in a style that people can visualize. Parks made the statement, ?This frail boy bent at a lower place his encumbrance said more to me well-nigh poverty than a twelve poor fathers? (Parks, ?Flavio? 85). I couldn?t agree more. To Parks, Flavio symbolized millions of impoverished families essay to survive. In a 1983 interview, Parks states, ?What the camera had to do was snitch the evils of racism, the evils of poverty, the discrimination and the bigotry, by viewing the people who suffered the most under it? (Bush 38). Parks wasn?t and trying to tell a story; he precious people to see what this child was going through. Parks wanted to make a difference. Overcoming ou r trials and tribulations help us to understand and incite us to help. The first line in ?Flavio?s Home? reads, ?I?ve never lost my approximate grudge against poverty? (Parks, ?Flavio? 84). That is because Parks spent much of his early life story in poverty. Parks? work is a combination of real life and photography.
He felt the wickedness and experienced the inequalities of the world. Parks power saw the camera as a weapon against all types of amicable wrongs. I hail Gordon Parks. He could have given up and been claimed by urban poverty and crime. Parks suffered many evils of his own, but he would not to allow them to rob him of his freedom to expand. He used his other(pren ominal) tribulations as motivation, and it helped sav! e a sick, twelve-year-old boy. afterward ?Flavio?s Home? was published and made available to the public, Lifes readers all over donated approximately $30,000 to Flavio and his family. The magazine arranged to have the boy flown to capital of conscientious objector for medical treatment. He stayed in America for two years, until he got better, then he went back to Brazil with his family. Parks go on to focus on exposing the evils of the world. He kept working on making a difference until he died on designate 7, 2006. He was 93 (Grundberg). Works CitedBush, Martin, H. A Conversation with Gordon Parks, in Martin H. Bush, Photographs of Gordon Parks. Wichita, Kansas: Wichita State University, 1983. Grundberg, Andy. ?Gordon Parks, A Master of the Camera.? Zonezero.com 16 Jun. 2009. . Parks, Gordon. A pickax of Weapons. hot York: Harper and Row, 1966. Parks, Gordon. ?Flavio?s Home.? Longman Reader. 7th ed. Judith Nadell, John Langan, and Eliza A. Comodromos. untried York: P earson, 2005. 84-90. If you want to get a full essay, order it on our website:
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